Our photographic assignments over the years have taken us to some pretty amazing locations and notched up some very interesting situations. ESP MAGAZINE, brings to you the maximum quality on photography and its stories behind the scenes.
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Two F/A18 Hornets from No 2 OCU RAAF Williamtown over Lancelin in Western Australia. Photo by Jon Davison
WA POLICE formation at the ground level. Grateful thanks to Perth Airport and Western Australia Police. Photo by Alexis Bachofen.
The Sonar suite on HMAS Rankin, an Australian Navy Collins submarine at 2am beneath the Tasman Sea. Photo by Jon Davison.
Following the success of 'Robbie', ESP has decided to accept the gauntlet and run with the Robbie II concept. So many operators from around the world have expressed an interest in being a part of a second volume. visit the website
ESP Digital Media Courses
ESP are proud to be able to offer a series of great Digital Media courses through our association with the Futuresphere, a state-of-the-art Mac lab based at Perth’s Christ Church Grammar School. These informative, fun, engaging and hands on courses are run by the creative team at Eye in the Sky Productions, and are people currently active in their respective fields of photography, publishing and graphic design. This means that you will be getting ‘real time’ professional tuition with courses that cover...Read more.
OTHER WORLDS
During April 2010 Alexis visited the Solomon Islands to meet with Ric O’Barry, star of the Academy Award winning documentary The Cove. His goal: to better understand the man who has dedicated most of his life to the worldwide plight of dolphins in captivity and to learn why the Solomon Islands, Japan and Cuba are the leading proponents in dolphin capture and exportation to the world. This is his story and like every good story it has conflict. Read more.
Eye in the Sky Productions are specialist location photographers based in Western Australia with a portfolio that extends worldwide.
Photographers Jon Davison and Alexis Bachofen’s expertise is photography from the air, be it air-to-air portraits of aircraft, air-to-sea of ships at sea, or the earth from above.
Their location portfolio extends to other equally exotic working environments such as submarines, military vehicles or portrayals of the Great White Shark.
Their style, based on graphic, saturated colors equally suits whatever subject they are commissioned to portray.
ROBBIE BOOK
